The kitchen layout was a galley. At first, the Ayersts looked at whether they could reconfigure the room to make it much wider, but in the end, decided to keep their galley and create a sense of space in another way – by redesigning the existing UPVC conservatory and making that a part of the kitchen. “We used Westbury Garden Rooms to construct our timber-framed orangery, and our absolutely fantastic building team [LDF Construction, a local business in Aylesbury]. We put in huge windows to flood it with light and also to bring the garden into the kitchen; a friend said it’s as though each window picture-frames a different aspect of the garden. Grant, our kitchen designer from Hawk Interiors [one of Neptune’s partners] then worked with us not just to design our kitchen in terms of cabinetry and appliances, but also on how to connect the two spaces together to make them feel like one, flowing room.”
Rachel had a very clear vision for her new kitchen. The family all loved the industrial look, and following recent trips to New York and Iceland, she wanted to find a way to bring together an urban feel with a touch of Scandinavian simplicity and enduring English style. “It was always going to be the Suffolk kitchen collection for us. We had one in our previous home. It was a much smaller kitchen, but it worked so brilliantly. It just works – in big spaces and small ones, with any colour, and with all sorts of different style preferences, all underpinned by gorgeous quality and a feeling that it’ll never date. You can’t say that with many kitchens. It’s simple, clean and calm.” After some deliberation, Rachel, Nick and Alex decided to go with dark grey paintwork on the window and door frames in the orangery, and continued the same colour through the kitchen, choosing Neptune’s water-based Charcoal paint for the cabinetry along with Salt and Snow on the walls. “I picked out the Barlow half-beehive knobs in Antique Bronze to match the hinges used in our orangery too. I loved Neptune’s attention to detail that carried through every aspect of its designs,” Rachel continued.
While a sense of space was a huge design consideration for the Ayersts, storage was, like with most kitchens, the next key factor. “I didn’t want to be rooting around in cupboards. I wanted as many drawers as possible. Even where we did have cabinets, we were able to use Neptune’s bespoke service to have drawers designed inside. Our designer worked in as much storage as he possibly could, from larders to a bespoke pot board with the same quartz worktop as the rest of the kitchen so it all coordinated. I had the idea of a mirrored splashback behind the stove as a way to make the room feel larger. It’s one of the most expensive parts of the kitchen but it was worth it. It’s antiqued glass so it fits in with the industrial vibe, and when you’re sitting down at the table it gives you a viewpoint of another part of the kitchen. It’s like a wonderful game of ping pong. Seeing yourself first thing in the morning, before the kettle has boiled, is the only downside.”
“Our house can be truly frenetic at times. But our Suffolk kitchen helps us to create order and to find a sense of calm. Even the little things, like the organisational drawer Neptune does for cutlery and utensils, are a godsend. We’ve gone on to have Suffolk in our boot room and utility too. I have, however, gone a little mad in the downstairs loo with hummingbird wallpaper to counter the calmness! Is my house always tidy? Absolutely not. But Suffolk makes the phrase ‘a place for everything and everything in its place’ real, and it’s so appreciated. It gives our home rigour and real beauty. We feel very lucky indeed.”