
This season's fabrics
Twice a year in spring and autumn, we create a new collection of designs, each guided by a seasonal colour palette and style. Below you’ll find the fabrics that make up this season’s selection, all of which will work together effortlessly.
Fabric Swatch Harris Tweed Olive
Fabric Swatch Harry Rosehip
Fabric Swatch Orla Moss

Patterned linen
We make these linens using either traditional and digital printing methods or by weaving the pattern in. Sometimes we use a bleached base fabric and sometimes it’s left natural, which is why some are crisp and bright while others look a little more vintage. We also occasionally add cotton for softness or viscose to help the dye cling to the fabric.
Samuel Woven Linen, Rust
Emma Sage
Fabric Swatch, Emma Printed Linen, Teal
Fabric Swatch, Emma Printed Linen, Mustard
Fabric Swatch, Emma Printed Linen, Dove
Emma Old Rose Linen
Orla Printed Saffron Linen
Orla Printed Apricot Linen
Thea Printed Natural Linen

Cotton linen fine
Soft but robust, we make these textiles using cotton, linen and viscose – natural fibres that, together, can take the rough and tumble of family life but that are still relaxed enough to use on cushions, loose covers, curtains and blinds.
Clara Warm White
Clara Natural
Clara Parchment
Clara Mocha
Clara Slate

Washed linen fine
Our Imogen washed linen is one of our more delicate textiles, which means it’s best suited to cushions or occasional pieces of furniture – in other words, ones that you don’t use as regularly. It works on curtains too if you’re looking for a relaxed, lightly crumpled character.
Imogen Holkham Sand
Imogen Oyster Pink

Original heavy linen
These pure linens aren’t as textured as our character linens, but they aren’t totally smooth either – thanks to the occasional raised slub. They’re thick and soft, with a broad weave created by winding several strands together to form each yarn. Strong and heavy, they’re great for both curtains and upholstery.
Hugo Pale Oat
Hugo Millet
Hugo Buckwheat
Hugo Spelt

Performance linen medium
Our performance linens are our most hard-wearing textiles of all. They have a much denser weave and heavier texture than our cotton linens, but still with linen’s slubby character coming through, so they look natural, not man-made.
Archie Misty Grey
Archie Natural Oat
Archie Aqua Grey
Archie Night Sky

Character linen sheer
Our sheer linen, Ida, is grown, spun and woven in Belgium, just like all our other character linens. It has a loose weave that’s just the thing for barely-there, airy curtains (we also use it to make pleated lampshades because its fine weight creates neat folds), though it’s not quite strong enough for upholstery and cushions.
Ida Sheer Apricot Linen
Ida Sheer Oatmeal Linen

Character linen fine
Even though we weave our pure Belgian Harry linen using fine yarns, it’s actually a very hardwearing fabric, so will work well for upholstery that gets a lot of use day-in, day-out. It has a light texture that gets more interesting up-close, where you’ll be able to see all the many characterful, natural linen slubs.
Harry Apricot Linen
Harry Fawn Linen
Harry Cloud Linen
Harry Sand Linen
Harry Flax Blue Linen
Harry Rust Linen
Harry Storm Linen
Harry Mortar Linen

Character linen medium
Chloe is one of our softest linens, and is made from start to finish in Belgium. We use a fine-medium thread that we weave into a thick cloth and then gently stonewash – a traditional process that makes the fabric supple and smooth. And because it’s not stiff in any way, it’ll hang well if you turn it into curtains and blinds.
Chloe Moss Linen
Chloe York Rose Linen
Chloe Trellis Linen
Chloe Old Rose Linen
Chloe Lead Linen
Chloe Denim Linen
Chloe Ash Linen

Character linen heavy
Our thickest character linen, if you look closely at Finian’s weave, you’ll see it’s a bit like a micro patchwork, with the threads alternating their direction, square after square. And, like all our character linens, the flax is grown and woven in Belgium – where they’re experts on linen – and is full of natural slubs.
Finian Mustard

Velvet
Velvet comes in many forms, from polyester to silk and from crushed to corduroy. And, when it’s done properly, it’ll always feel luxurious. For ours, we wanted to make a velvet that you can use every day. So, we use natural cotton with a touch of polyester to make it more durable. But not so much that it won’t develop character over time – that’s one of the things that makes velvet, velvet.
Isla Swallow
Isla Mallard
Isla Kingfisher
Isla Velvet, Grouse
Isla Finch
Isla Otter
Isla Fox
Isla Ermine
Isla Cranberry

Wool
Wool is entirely natural, breathable (so it’ll keep the heat in during winter and let the air circulate in summer), hypoallergenic and strong. Ours have a soft feel that’s less scratchy to sit on because we use fine, long fibres. Wool is also a lovely way to introduce a bit of extra texture to a room.
Ewan Stone
Ewan Dove
Hector Fossil
Hector Clay
Elliot Granite
Angus Flint
Elliot Soft Teal
Angus Teal

Harris Tweed
We can only call this fabric ‘Harris Tweed’ because it’s made from start to finish in Scotland’s Outer Hebrides. From the yarn – which is spun from pure new wool – to the finished cloth, which is hand-woven by the islanders in their own homes. It’s soft (for a tweed) but a little more textured than our other woollen textiles.