Choosing ceramic Christmas decorations
Ceramic Christmas decorations come in two kinds, and the choice between them comes down to where each piece will be seen. The hanging pieces are ceramic Christmas tree decorations: small stoneware stars, angels, bells and wrapped presents, each threaded on a fine velvet ribbon in a neutral grey. At a few centimetres tall, they are made to be discovered among the branches rather than to fill them, so they work best dotted through a tree that already carries its baubles, catching the eye as someone looks closer.
The standing pieces are made for flat surfaces: a mantelpiece, a deep windowsill, the length of a sideboard. There are angels in fluted gowns, in two heights, and little ceramic houses that hold a tealight behind walls cut through with windows and stars. Lit, they scatter small points of light onto the wall behind. Unlit, they still read as a quiet street of houses through the day.
What ties the two kinds together is colour. Almost everything here sits in white and off-white, softened by speckling on the stoneware and by weathered edges on the glossier pieces. That restraint is what lets ceramic Christmas ornaments work as easily beside traditional reds and greens as in a pared-back scheme. Start with one kind and add the other over time, and the tree and the room will read as one idea rather than two.
Glazed by hand: how our ceramic Christmas ornaments are made
With a ceramic ornament, the glaze decides almost everything about how it looks, and nearly every piece here is glazed by hand. Two methods are used, and they give quite different surfaces.
The hanging decorations are made from stoneware, a clay fired at a high temperature until it is dense and hard, which is what lets it hold a crisp outline at such a small scale. The glaze is applied by hand and carries a natural speckle, so the surface sits closer to a piece of studio pottery than to a moulded ornament.
Most of the standing pieces are dipped into their glaze by hand instead. Dipping leaves a glossy coat that is never perfectly even, and the finish is then gently weathered, so colour shifts slightly from one piece to the next and the edges look softened rather than fresh from the kiln. Two angels bought together will not be identical, and that is intended.
A fired glaze is fused to the clay beneath it rather than sitting on top as paint does, so it will not flake away with handling. Each hanging piece arrives wrapped in tissue paper inside a recyclable card box.